When hosting a party or event, having uninterrupted music with smooth transitions is crucial. The Spotify Automix fuctionality can be a good solution, although not all playlists are suitable for this feature. Spotify offers pre-programmed playlists that include the Automix functionality, but users must configure their settings correctly to use it. To learn how to set up Automix functionality properly, refer to this link.
Despite its benefits, Spotify’s Automix functionality has some limitations compared to a regular DJ. Firstly, it lacks the complete experience of a DJ. Secondly, users cannot easily add songs to pre-programmed playlists. Lastly, there has been limited research on the techniques used by the Automix functionality in music studies. This raises the question of whether the techniques used by the Automix functionality are similar to those used by regular DJs or not.
This portfolio investigates the relationship between Spotify’s Automix functionality and the mix components used in the DJ industry for smooth song transitions.The Automix playlists used for this portfolio are HouseWerk, TechnoBunker, Mint and Dance Rising. The music contained in the playlist is best classified under House music. In subcategory the Housewerk playlist contains techhouse, TechnoBunker techno, DanceRising and Mint dance pop. The interest in this comparison came from being a DJ myself. In the DJ world, mainly 2 components are used that are important for a transition between two songs. These are the tempo of the songs and the key that the mixing songs are in. It will be investigated whether these components are also used by the automix functionality. This will focus on the order of the songs in the playlist. The shuffle functionality will be left out. It may also turn out that the functionality is completely random.
The first visualization shows the distribution over tempo of the songs within the different playlists. In the visualization below, the x axis shows the different playlists. On the y axis, the tempo is visible. If we look closely at the visualization we see that the playlist Technobunker has a high median compared to the other playlists. There are also the fewest outliers here compared to the other playlists. The spread of Housewerk is the smallest. This means that the tempo in this playlist is mostly close to the median. This is a positive first analysis on the research question.
The second visualization shows the progression of tempo over the playlist. On the x axis here the songs are numerically represented in playlist order. On the y axis, the tempo is shown. Also in this visualization it is noticeable that the playlists Housewerk and Technobunker have a better distribution of tempo compared to Dance Rising and Mint. In the latter playlists, the tempo is more dispersed.
In the DJ world, the easiest method to mix two songs is to keep the tempo the same throughout the song. When this is not the case, it requires an advanced technique to mix the songs together. The tempo analysis features in the turntable are now no longer accurate because this currently gives an average value of the tempo over time rather than the tempo per section in the song. The DJ must be familiar with this change in tempo in order to mix the song correctly. An example of an outlier in the corpus is the song Affraid to Feel by LF SYSTEM. The song was released on May 2, 2022. The song uses the sample from the song I Can’t Stop (Turning You On) by SILK. This song has a tempo of 85 bpm. So for LF SYSTEM it was a challenge to incorporate the sample into a disco track with a tempo of 130 BPM. This is evident from the tempogram. The song starts slowly with a tempo of 100 BPM. After 20 seconds, the tempo increases to 130 BPM. This is when song switches from the intro to the chorus. What is not immediately clear is that after the chorus, the tempo drops slightly. After repeated listens, this became audible. From the tempogram it can be seen that after the first chorus, the chorus returns 2 more times. The last thing that stands out is that after about 150 seconds the tempo is classified as rapidly increasing. In the recording it can be heard that the kick drum changes from every four-quarter measure to every 8th measure. This makes the tempo seem to double but is not actually the case. It is the lead-up to the chorus. I myself tried to follow the tempo. See the video below for this.
Tekst
In this section, we chose to compare two songs from the playlist Housewerk. The songs chosen are listed in order in the playlist. This is to see if it becomes clear if certain chords are used in the songs that go well together. This makes the transition between the songs sound better. Starting with the first track, the song No Diggity produced by Häwk and Beyge was chosen. The song is a cover of of the original song written by Blackstreet, Dr. Dre and Queen Pan that was released in 1996. The song is played primarily in C# and F#. Chebyshev was chosen as the normalization. This is because with the euclidean and manhattan it was not clearly visible which notes were used.The second song analyzed is the song Ritmo by Raffa FL. It is a cover of the song La Colegiala by The Boy Next Door, Fresh Coast and Jody Bernal. From the chromogram, we notice that the song is played in F, G and Gm. Euclidean was chosen as the normalization. This is because with this method the magnitude (in yellow) was the clearest. With confirmation from the spotify API, it is clear that these two songs can be well mixed together.
In this section, we chose to compare two songs from the playlist Housewerk. The songs chosen are listed in order in the playlist. This is to see if it becomes clear if certain chords are used in the songs that go well together. This makes the transition between the songs sound better. Starting with the first track, the song No Diggity produced by Häwk and Beyge was chosen. The song is a cover of of the original song written by Blackstreet, Dr. Dre and Queen Pan that was released in 1996. The song is played primarily in C# and F#. Chebyshev was chosen as the normalization. This is because with the euclidean and manhattan it was not clearly visible which notes were used.The second song analyzed is the song Ritmo by Raffa FL. It is a cover of the song La Colegiala by The Boy Next Door, Fresh Coast and Jody Bernal. From the chromogram, we notice that the song is played in F, G and Gm. Euclidean was chosen as the normalization. This is because with this method the magnitude (in yellow) was the clearest. With confirmation from the spotify API, it is clear that these two songs can be well mixed together.
Above are the similairty matrices of the chroma features (left) and timbre (right). The song chosen is La Fuente - I Want You. The song is in key 8, the tempo is 125 bpm and energy is 0.8. We analyze the figure using 3 criteria. Representation (shows the repeating elements with diagonal sloping lines), novelty (bright yellow lines when a part is not similar and dark lines when it is) and lastly homogeneity (A so-called chessboard that when it is dark blue shows that everything is similar and when it is more yellow more difference). Starting with the representation, it is difficult to find the diagonal lines. They can be seen very slightly at the end of the song Looking at the novelty, it is clear that the song has 2 refrains. These are the intersections of the yellow lines around 40 and 190 seconds. At that point the song changes tremendously. Looking last at the homogeneity, the chessboards are mainly found between 50 and 100 seconds.
Looking at the second song, we look at the analysis of the song Tom Santa - Rainfall. This is a cover of the song Shackles released by Mary Mary. The song is in key 5, the tempo is 128 bpm and the energy is almost 0.9. Like the song by La Fuente, I analyze this song using the 3 characteristics of representation, novelty and homogeneity. Starting with representation, we see the diagonal dark lines a lot in the song. During the beginning of the song until 30 seconds it is clearly visible. Looking at the novelty, a large intersection can be found around 90 seconds. You can clearly hear the transition in the song. Lastly looking at the homogeneity, the chess boards are also well found in this song. Especially some smaller chessboards between 25 and 90 seconds. Because these are dark blue chessboards, the song changes a lot in this time interval
Explenation